Daily Riyaz Routines for Hindustani Vocal Students

A timed plan for each stage of the ABGMVM ladder. Keep the tanpura on throughout, and treat the minutes as a guide: a clean five minutes beats a careless twenty.

First steps: 20 minutes

Beginners and Prarambhik students, in their first year of singing. Prepares for: Level 1.

A 20-minute riyaz plan as a clock face: Settle on Sa 3 minutes, Sa Pa taar Sa 4 minutes, Alankars in thaah 6 minutes, Clap the taal 4 minutes, Aaroha to pakad 3 minutes. Tanpura for every step except the taal step, which uses tabla.
Twenty minutes, five steps: most of it on Sa and alankars.
  1. 1 3 min

    Settle on Sa

    Start the tanpura at a Sa that sits comfortably in your speaking range. Listen for a full minute before you sing. Then hold सा on "आ" for as long as one easy breath lasts, five or six times, matching the drone exactly.

  2. 2 4 min

    Sa, Pa, taar Sa

    Sing सा, प, सां slowly and hold each one. These are the notes the examiner asks you to tune first. If a note wavers, come back to सा and start again.

  3. 3 6 min

    Alankars in thaah

    Two or three of the six Prarambhik alankars, one note per beat, with sargam names aloud. Ascent and descent at the same care. Only move to dugun when thaah is clean.

  4. 4 4 min

    Clap the taal

    Put Tabla Online on Teentaal at a slow tempo and recite the theka with claps and waves. Then do Dadra and Keherwa. Say the matra numbers aloud until the sam lands without thinking.

  5. 5 3 min

    One raga, aaroha to pakad

    Pick one raga from your syllabus. Sing its aaroha, avaroha and pakad over the tanpura. Rotate the raga each day so all seven come round in a week.

Tip: Same time every day matters more than length. Twenty minutes daily beats two hours on Sunday.

20 minutes

Building the voice: 40 minutes

Praveshika students, learning bandishes with alaap and taan. Prepares for: Level 2, Level 3.

A 40-minute riyaz plan as a clock face: Long notes 5 minutes, Alankars in three speeds 8 minutes, Alaap 10 minutes, Bandish with the taal 10 minutes, Taals of the year 7 minutes. Tanpura for steps 1 and 3, tabla for steps 2, 4 and 5.
Forty minutes: half on raga and bandish, the rest on voice and laya.
  1. 1 5 min

    Kharaj and long notes

    Long notes from mandra प up to सा, each held on "आ" with steady breath. This builds the lower range that alaap needs.

  2. 2 8 min

    Alankars in three speeds

    The Praveshika alankars in thaah, dugun and chaugun against a slow Teentaal. Keep the tempo fixed; only the number of notes per beat changes.

  3. 3 10 min

    Raga of the week: alaap

    Take one raga each week. Short alaap phrases that start and end on सा, using only its notes and its chalan. Record yourself and listen back for forbidden notes.

  4. 4 10 min

    Bandish with the taal

    Sing the bandish of that raga with Tabla Online in its taal. Check that the mukhda meets sam every time. Then add two or three simple taans that return to the mukhda.

  5. 5 7 min

    Taals of the year

    Recite Ektaal, Jhaptaal, Chautaal or Roopak with claps, in thaah and then dugun. One taal per day.

Tip: Record one minute of every session. Listening back once a week shows you more than any amount of singing.

40 minutes

Full riyaz: 60 minutes

Madhyama students and beyond, preparing vilambit khayal. Prepares for: Level 4, Level 5.

A 60-minute riyaz plan as a clock face: Swar sadhana 10 minutes, Alankars and taan patterns 10 minutes, Vilambit khayal 25 minutes, Layakari 10 minutes, Raga identification 5 minutes. Tanpura for step 1, tabla for steps 2 to 4.
An hour, with the vilambit khayal at its heart.
  1. 1 10 min

    Swar sadhana

    Slow, sustained notes through all three saptaks, with soft meend between neighbouring notes. Nothing fast until the voice is warm.

  2. 2 10 min

    Alankars and taan patterns

    Alankars applied inside the raga you are working on, then saral and koot taan patterns in dugun and chaugun.

  3. 3 25 min

    Vilambit khayal

    The bada khayal of the week in vilambit Ektaal. Badhat note by note, always back to the mukhda on sam. Then the chhota khayal in the same raga.

  4. 4 10 min

    Layakari

    Your dhrupad or dhamar in thaah, dugun, tigun and chaugun against Chautaal or Dhamar. Land on sam every time.

  5. 5 5 min

    Raga identification

    Sing short phrases from different syllabus ragas and name each one. Swap with a classmate if you can.

Tip: Split it across the day if you need to: swar sadhana in the morning, khayal in the evening.

60 minutes

Learning this with a teacher

These pages will take you a long way on theory. The singing needs a guru — live online classes, one level at a time, with exam preparation built in.

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