Jati

जाति

In short

Jati states how many notes a raga uses in its ascent and descent: audav (5), shadav (6) or sampurna (7).

जाति बताती है कि राग के आरोह और अवरोह में कितने स्वर लगते हैं: औडव (5), षाडव (6) अथवा सम्पूर्ण (7)।

Three rows of the seven note positions. Audav (5), as in Bhupali: Sa Re Ga Pa Dha, with Ma and Ni left out. Shadav (6), as in the aaroha of Khamaj: Sa Ga Ma Pa Dha Ni, with Re left out. Sampurna (7), as in Yaman: all seven, with tivra Ma. The notes left out are varjit.
Count the notes a raga uses: five is audav, six shadav, seven sampurna.

Varjit swaras

From level 1

A varjit (वर्जित, forbidden) swara is a note a particular raga never uses. Sounding it breaks the raga. In Bhupali, म and नि are varjit; in Durga, ग and नि are varjit.

Varjit is not the same as vikrit. A vikrit note is altered (komal or tivra) but still sung; a varjit note is left out entirely. The Prarambhik oral asks for both: "what are the vikrit and varjit swaras of this raga?"

Audav, shadav, sampurna

From level 2

Counting the swaras a raga uses gives its jati:

Jati Number of swaras Varjit swaras
Audav (औडव) 5 2
Shadav (षाडव) 6 1
Sampurna (सम्पूर्ण) 7 none

The count is made separately for the aaroha and the avaroha, so a raga's jati is always written as a pair: aaroha jati first, avaroha jati second.

The nine combinations

From level 2

Three possible counts going up × three coming down = nine jatis.

Aaroha Avaroha Jati Example
7 7 sampurna-sampurna Yaman, Kafi, Bhairav
7 6 sampurna-shadav rare
7 5 sampurna-audav rare
6 7 shadav-sampurna Khamaj, Alhaiya Bilawal
6 6 shadav-shadav Marwa
6 5 shadav-audav rare
5 7 audav-sampurna Bhimpalasi, Bageshree, Des
5 6 audav-shadav rare
5 5 audav-audav Bhupali, Durga, Vrindavani Sarang

To work out a jati yourself, count the different swaras in the aaroha (ignore taar सां, which is सा again), then do the same for the avaroha. Khamaj rises सा ग म प ध नि सां (six: रे is left out) and falls through all seven, so it is shadav-sampurna.

A grid of the nine jatis: rows give the aaroha count, columns the avaroha count. Examples: sampurna-sampurna Yaman, shadav-sampurna Khamaj, shadav-shadav Marwa, audav-sampurna Bhimpalasi, audav-audav Bhupali. Sampurna-shadav, sampurna-audav, shadav-audav and audav-shadav are rare.
Read the row (aaroha) first, then the column (avaroha): Bhimpalasi is audav-sampurna.

How many ragas can one thaat produce?

From level 4

The level 4 paper asks for the classification of ragas by number of notes and its arithmetic. With सा always present, choose which of the other six notes to drop:

  • sampurna: drop none: 1 way
  • shadav: drop one of six: 6 ways
  • audav: drop two of six: 15 ways

That gives 1 + 6 + 15 = 22 possible aarohas, and likewise 22 avarohas. So one thaat can, in theory, produce 22 × 22 = 484 ragas, and 32 thaats give 32 × 484 = 15,488. This is the classic textbook figure; the rule that म and प are not both dropped would reduce it slightly, and in practice only a small fraction of these are real ragas.

Exam questions

Answer these the way the examiner expects: short and exact.

What is jati? Level 2

The class of a raga by the number of swaras in its aaroha and avaroha: audav (5), shadav (6) or sampurna (7).

What is the jati of Bhupali? Level 2

Audav-audav: five swaras in both aaroha and avaroha (म and नि varjit).

What is the jati of Bhimpalasi? Level 2

Audav-sampurna.

What is a varjit swara? Level 1

A swara that is strictly not used in a particular raga. Example: म and नि in Bhupali.

How many jatis are possible? Level 2

Nine: three aaroha counts (5, 6, 7) combined with three avaroha counts.

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