Raag Bhairavi
राग भैरवी
Bhairavi thaat Also spelled: Bhairvi
The parent raga of the thaat that carries its name, in which every altered note is komal. By tradition a concert closes with Bhairavi.
- Thaat (parent scale)
- Bhairavi
- Jati (type)
- Sampurna – Sampurna · 7 notes up, 7 down
- Vadi (king note)
- Ma (Madhyam)
- Samvadi (minister note)
- Sa (Shadaj)
- Time of singing
- Morning (by convention also sung to close a concert at any hour)
Scale and structure
Key rule: Re, Ga, Dha and Ni are all komal; Ma and Pa stay natural.
Aaroha (ascent)
सा रे॒ ग॒ म प ध॒ नि॒ सां
Avaroha (descent)
सां नि॒ ध॒ प म ग॒ रे॒ सा
Pakad (catch phrase)
म ग॒ सा रे॒ सा, ध॒ (मंद्र) नि॒ (मंद्र) सा
Sargam is given in Devanagari, as it is written in practice — a line beneath a note marks it komal (flat), and (मंद्र) marks the lower octave.
Examined at
Learning this with a teacher
These pages will take you a long way on theory. The singing needs a guru — live online classes, one level at a time, with exam preparation built in.