Raag Asavari

राग आसावरी

Asavari thaat Also spelled: Asawari, Aasavari

The parent raga of the thaat that carries its name, sung in the late morning. Its weight on komal Dha gives it a grave, plaintive mood.

Swara map of Raag Asavari: uses Sa, Re, komal Ga, Ma, Pa, komal Dha and komal Ni; the ascent skips Ga and Ni; the descent winds through Ma, Pa, komal Dha, Ma, Pa; komal Dha is the vadi and komal Ga the samvadi; sung in the late morning; Asavari thaat.
Three komal notes, but the climb uses only komal Dha: Ga and Ni appear on the way down.
Thaat (parent scale)
Asavari
Jati (type)
Audav – Sampurna · 5 notes up, 7 down
Vadi (king note)
Komal Dha (Dhaivat)
Samvadi (minister note)
Komal Ga (Gandhar)
Varjya swara (omitted)
Ga, Ni (in the ascent)
Time of singing
Second quarter of the day (late morning)

Scale and structure

Key rule: Ga, Dha and Ni are komal. Ga and Ni are skipped in the ascent.

Aaroha (ascent)

सा रे म प ध॒ सां

Avaroha (descent)

सां नि॒ ध॒ प, म प ध॒ म प, ग॒ रे सा

Pakad (catch phrase)

रे म प, नि॒ ध॒ प, म प ध॒ म प, ग॒ रे सा

Sargam is given in Devanagari, as it is written in practice — a line beneath a note marks it komal (flat), and (मंद्र) marks the lower octave.

Learning this with a teacher

These pages will take you a long way on theory. The singing needs a guru — live online classes, one level at a time, with exam preparation built in.

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