Raag Alhaiya Bilawal

राग अल्हैया बिलावल

Bilawal thaat Also spelled: Alhaiya Bilaval, Alahiya Bilawal, Alhaiyya Bilawal

The principal morning raga of the Bilawal thaat, bright and open in character. A single light touch of komal Ni among the natural notes sets it apart from plain Bilawal.

Swara map of Raag Alhaiya Bilawal: all notes shuddha except one komal Ni in the descending turn Dha, komal Ni, Dha, Pa; Ma is left out of the ascent; Dha is the vadi and Ga the samvadi; sung in the morning; Bilawal thaat.
Almost all shuddha: find the one komal Ni tucked into the descent.
Thaat (parent scale)
Bilawal
Jati (type)
Shadav – Sampurna · 6 notes up, 7 down
Vadi (king note)
Dha (Dhaivat)
Samvadi (minister note)
Ga (Gandhar)
Varjya swara (omitted)
Ma (in the ascent)
Time of singing
First quarter of the day (morning)

Scale and structure

Key rule: Ma is omitted in the ascent. Komal Ni appears only in the descent, in the turn Dha komal-Ni Dha Pa.

Aaroha (ascent)

सा रे ग प ध नि सां

Avaroha (descent)

सां नि ध प, ध नि॒ ध प, म ग म रे सा

Pakad (catch phrase)

ग रे ग प, ध नि॒ ध प, म ग म रे सा

Sargam is given in Devanagari, as it is written in practice — a line beneath a note marks it komal (flat), and (मंद्र) marks the lower octave.

Other ragas in Bilawal thaat

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